| Contents
Background
Healing with Sound and Light
Light
Therapy - Diagnoses and Ways of Treatment
Light Healers - A Brief
Review
The Therapeutic Qualities of
Light
Cases of Light Treatment
The Relationship between
Sound and Light
Healing with Sound
Theory and Method of the Therapy
Man is Vibrating Energy
The Frequencies of Sound and
Light
Using Sound and Light in
Healing
The Light and Sound
Vibrations Used in the Therapy
How to Use the Therapy
References
Background
Ever since the early cultures of Egypt, Greece and
Italy, people have pondered upon the relationship
between mathematics, light (colors) and music. In those
early times the subject was a secrect except to a few
members of the society, mostly priests, who had access
to the information. Then they used this particular
information to heal with colors in various ways. As time
went on the secrets became more accessible to others for
practicing light therapy. More recently, more attention
has been given to the healing powers of colors, and a
large number of works, differing in quality and content,
have appeared in print on this topic. Colors are also
used deliberately to influence the environment in which
we live. Houses and institutions are decorated in colors
according to purpose. For example, it has been customary
to use pastels, in institutions for patients with
psychiatric disorders. People also decorate themselves
and their homes according to their preferences and
moods.
Music has been part of the human environment from the
beginning and has always had an effect on man. The power
and influence of music is widely recognized, and is used
to effect and stimulate people's well-being, creativity,
ability to learn, etc. Today more attention has been
given to the combined healing effects of light (color)
and sound, and several theories have been put forward
regarding this matter.
To be able to offer a method as simple as The Therapy
of Sound and Light can only mean positive development to
mankind, however I see several reasons as to why
light/sound therapy has not been more publicly
recognized as a healing method. According to my research
no scientific investigation has been carried out
regarding light/sound therapy. Secondly, since there are
many forms of light/sound therapy - some which are quite
unorthodox to the established medical science - the
tendency is that the methods become ridiculed and pushed
aside by medical doctors and the FDA (Food and Drug
Administration). Thirdly, to my knowledge no attempt has
been made to present a complete system of classification
where one can see what light or sound vibration is to be
used for the specific diseases of man.
Healing with Sound and Light
This chapter gives an explanation of what light
therapy (color therapy, chromotherapy) is, the most
common diagnoses, and ways of practicing light therapy.
It also gives an account of some of the trends that have
been prominent in light healing. Additionally it
presents a review of the therapeutic value of the
different colors of the spectrum and describes cases of
treatment. The chapter concludes with a section about
the relation between light and sound, and healing with
sound.
Light Therapy - Diagnoses and Ways of
Treatment
Everything in the universe has its own
frequency/vibration. This is also the case with man.
Each atom, cell and organ in the human body vibrates to
a set frequency. If this frequency changes, it results
in imbalance and disease (Sander 1926). Man has the
frequency of the visible part of the electromagnetic
field, or the same frequency as the seven colors of the
spectrum (Wills 1993).
Light therapy is therefore a way of treating people
with colors in order to bring their bodies, emotions
and/or minds back into harmony, thereby restoring health
and well-being. Light therapy brings about a molecular
reaction in the organism, and can be applicated to the
person in several ways (Amber 1983). Light therapy is
based on the concept that colors influence the human
being, both physically and psychologically, which can be
used in a therapeutic way (SOU 1989:62). Disease is
therefore a lack of harmony in the system, or in other
words a lack of color and the object is to restore this
color deficiency (Ouseley 1976). Chromotherapy may be
described as the science which uses different colors to
change vibrations of disease to vibrations of health.
These colors may be visible colors applied to the
physical body in one way or another, or they may be
invisible to the human eye, applied by mental means (The
Aura...1955).
Kate W Baldwin MD, former senior surgeon, Woman's
Hospital, Pennsylvania, USA, shares her experiences of
treating patients with light. The year is 1926.
"For about six years I have given close attention to
the action of colors in restoring the body functions,
and I am perfectly honest in saying that after nearly
thirty-seven years of active hospital and private
practice in medicine and surgery, I can produce quicker
and more accurate results with colors than with any or
all other methods combined - and with less strain on the
patient. In many cases, the functions have been restored
after the classical remedies have failed. Of course,
surgery is necessary in some cases, but results will be
quicker and better if color is used before and after
operation. Sprains, bruises, and trauma of all sorts
respond to color as to no other treatment. Septic
conditions yield, regardless of the specific organism.
Cardiac lesions, asthma, hay fever, pneumonia,
inflammatory conditions of the eyes, corneal ulcers,
glaucoma, and cataracts are relieved by the treatment."
(Baldwin 1956, pp 156-7).
A few years later the USA's Food and Drug
Administration (FDA), in league with the American
Medical Association, declared that color therapy (as an
unorthodox medicine) is not to be practiced, nor may its
methods and application be written about (Garrity 1978).
Color diagnoses: Referring to Amber
(1983), all methods for diagnosing diseases fall under
two main categories: a) seeing the cause, and
b) detecting the symptoms. The following methods will
utilize these two categories.
Observation: This method is based on observing
the body of the individual to determine out the problem.
There are twelve different areas of the body which can
be observed. The color of these areas reveal the illness
of the individual. These are: the color of the eye,
nails, urine, stools, skin, hair, lips, tongue, hands,
ear, the general appearance, and color and organ
relationship.
Aura, Electromagnetic Diagnosis: The aura is
the electromagnetic field that surrounds all living
things. By seeing the aura, with or without the physical
eye, one can see which colors are missing in the
electromagnetic field of an individual, or which colors
are not in harmony. Techniques used to see the aura is
the clairvoyant's eye, the Kilner Screen (Kilner 1956)
and the Kilrian photography (Walker 1991, Franz 1991).
Psychological Diagnosis: This means that the
diagnostician has to learn about an individual's
reaction to color, both the sensory and the emotional.
The therapist is then able to detect a possible lack of
harmony or disease.
Diagnosis by Visualization: An individual is
asked to visualize the colors of the spectrum in their
order from red to violet. By carefully watching the
individual's reaction to each color, the diagnostician
can observe imbalances.
Prism Diagnosis: A photograph of an individual
is examined with a prism to find out if the colors of
the individual and the colors of the prism correspond.
If there is a lack of correspondance it means illness,
and can be treated accordingly (Amber 1983).
Diagnosis with Pendulum: This is a method used
to decide which color is wanted in case of disease. The
diagnostician uses the pendulum and asks about which
color he/she can use for the patient.
Gimble's Diagnostic Chart: This method
combines dowsing and comparison. The diagnostic chart
shows the thirty-two vertebrae of the human spine, and
these vertebrae are divided into four sections of eight.
Each vertebrae of the four sections is attributed one of
the eight colors; magenta, violet, blue, turquoise,
green, yellow, orange and red. A patient writes his/her
name on the back of the diagnostic chart along the
spine. By comparing the vibrations of the signature with
the vibrations of the colored vertebrae through dowsing,
the appropriate color is found. This is the color used
in healing alongside with the complementary one (Gimble
1991).
Color treatments: There are several
ways of treating people with color. The following ways
are the most common and known from the literature.
Sun Exposure: This is a common way of treating
individuals with color, and the most practiced one in
the early days of color healing. Colored glass or
colored lenses are placed between the sun and the
individual. In this way the individual can be treated
with the right color directly from the sunlight. The
most well known practitioners of this type of color
treatment are Edwin D Babbitt and Theo Gimble.
Lamp and Projector Radiation: The most
practiced way of treating people with color is by using
colored lamps or projectors. The colored lamp is a
practical solution, and the only thing that is needed
are lamps in various colors. One of the most well known
color lamps is the Rithmo-Duo-Color system. It is a lamp
which rythmically projects two colors, one healing color
and one complementary color. It was developed by G.S.
White at the beginning of this century (White 1969). The
projector gives more opportunity to choose the exact
color needed, and connected to a computer, it can
produce over sixteen million shades of colors.
Electro Thermolume Cabinet: This is a cabinet,
or a small room, that a patient can sit in, and at the
same time be bathed in color from color screens fixed at
the front of the cabinet (Anderson 1990).
Solarized or Color Charged Water, Cloths, Food,
Crystals etc.: Many of the color healers use color
charged objects in their treatment. Perhaps the most
common of these is the solarized water. Water is put in
a colored bottle and stored in the direct sunlight for a
few hours. The individual then drinks the water.
Color Massage: The healer first washes his/her
hands in water, then he/she proceeds to bathe them for
three to five minutes in the full rays of a colored
lamp. The hands are then rubbed briskly together and
massage is given for ten to fifteen minutes.
The Chromolight Filter Box: This is a small
box with a shelf inside where the healer places one or
more color filters. Underneath the shelf is placed a
photograph or signature of the person which is to
receive the absent color healing. Then the box is placed
into direct sunlight (Lacy 1989).
Mental projection: An individual imagines the
air around him/her colored in one or more colors. He/she
then visualizes him/herself being bathed in the color. A
daily period of meditation seeing the color flooding the
affected organ, will also have a powerful beneficial
effect. The mental projection can also be used as an
absent healing method.
Color Breathing: An individual visualizes the
air around him/her in the color which is needed. Then
the colored air is inhaled and exhaled with deep rhytmic
breathing. Simple mental affirmations of the color being
used is common and helpful.
Color Acupuncture Therapy: This method is the
MORA Color Therapy with an unlimited penetration depth
using six main colors; violet, blue, green, yellow,
orange and red depending upon one's choice. This is
possible by means of an electronic device. Beat
frequencies in a low frequency range is used, and not
the color itself. These frequencies have the same
therapeutic effect as light itself. Furthermore, due to
the good penetration of these low frequencies, the
treatment requires only a few seconds, whereas the
classical color therapy requires a much longer time
(Ludwig 1986).
Color in Anesthetic: Light can be used as an
anesthetic in manipulative surgery. This is achieved
when a patient looks through colored lenses until he/she
becomes insensitive to pain. The patient remains
conscious throughout the surgery and there are no
after-effects (Hunt 1956a).
Light Healers - A Brief Review
Healing by means of light was probably the first type
of therapy used by man and was nature's own method for
keeping the organism in balance and in rhythm (Amber
1983).
The ancient Egyptians knew of the power and influence
of light. In their great temples, such as Karnak and
Thebes, there were color halls where the use of light
was practiced and researched (Anderson 1977). The rooms
were designed so that when the sun entered, the rays
were broken up into the seven colors of the spectrum. In
this way light was used as an aid to healing and as
worship (Lacy 1989). The Egyptians were specific about
their use of light, and they related the colors to the
various gods that they worshipped. The colors blue,
yellow and red were the activating forces of man's
being, and it was an Egyptian's religious duty to
literally take a daily bath in the spectral light of the
sun. The Egyptians also used the technique of having the
patient drink solarized water, and this was practiced by
all people of ancient times; the Indians, Chinese, South
American Indians etc. (Amber 1983).
In Asia the Persians practiced a form of color
therapy based on the emanation of light, and in India
the Buddhists, in the early days, used the same
principles (Birren 1961). An old Indian theory of light
healing tells us that disease is a lack of color in the
energy field which surrounds each person - the aura. The
aim is to rebalance the energy field and add the missing
color to it. The theory is directly related, to some
extent, to yoga Sástra, and reaches back at least to the
3rd century A.D (Jain 1978).
The Zuni Indians used prismatic colors and sound in
their healing arts. They used shells which they found in
the Corn Mountain and polished them to paper-like
thinness. They painted each shell with one of the colors
of the spectrum and held these shells between their ear
and the sun. The combination of color and sound produced
had a specific healing effect (Hunt 1956a).
While the ancient people of Egypt, India and Persia
practiced color healing, the Greeks attempted to take
another direction in medicine. Modern medicine traces
its ancestry to Hippocrates in the fourth century B.C.
At this point, the history of light in medicine split
into two different paths, the mystics and the
clinicians. With this, more thought was given to the
physical rather than the metaphysical nature of light
(Birren 1961).
Paracelsus, the Swiss scientist of the fifteenth
century, sometimes referred to as one of the greatest
healer, reintroduced light as a healing method. He was
not only concentrating on the use of light, but also
used many other therapies. He was a man ahead of his
time, and taught that disease was caused by disharmony,
and that color and light were vital in curing disease.
Paracelsus relied in his treatments, upon the vibrations
of music and light and the regulation of diet (Birren
1961).
It was at the beginning of the eighteenth century
that Isaac Newton (1642-1727), from England, presented
his great discoveries in optics. In his work Opticks
from 1704 he presented his discoveries in the nature of
light and color. Newton, using a wedge of glass, or
prism, found that the white light can be refracted into
light of different colors. By this he took the first
steps toward a theory of color vision. He showed that
the white light could be divided into seven colors
according to wavelength: violet, indigo, blue, green,
yellow, orange and red. This was the first great step
towards the electromagnetic theory of light which was
later put forward by James C. Maxwell. Newton was not
only occupied with the study of light and optics. He
also showed how the tones of the musical scale were
related to the colors of the spectrum (Newton 1952).
Rudolph Steiner (1861-1925) was Austrian, regarded by
people as a social philosopher, educator, occultist and
religious leader. He declared that life radiates color.
He said that out of illness comes a new state of
consciousness, meaning that the experience of the
illness itself will eventually lead to conscious
clarity, balance and health. Steiner expressed that
color would unlock the door to healing. He taught two
kinds of color treatments; one which acts directly on
the physical body, and the other acting through man's
consciousness (Mayer 1963). Steiner stated that man has
an inner faculty for spiritual perception independent of
the five senses. He developed an educational system and
a way of life based on color and rhythm, and there are
many schools throughout the world that are based on his
philosophy (Walker 1991).
Steiner was influenced in his thinking by the German
philosopher Johann Wolfgang von Goethe (1749-1832).
Goethe created a physical science of color which was
based on, in contrast to Newton's theory, the
understanding of colors through our five senses and our
subjective approach to nature (Goethe 1976). Goethe
taught that man is a part of nature and could never be
separated from it (Lübcke 1988, Langlé 1989). Steiner
gave a number of lectures on color based on Goethe's
work and the results of his own research (Steiner 1971).
Franz Mesmer, an Austrian and often referred to as
the father of magnetic healing, lived in the early part
of the nineteenth century. He showed that the magnetic
atmosphere around an individual, the aura, indicated the
individual's physical condition. Mesmer taught that the
energy sent forth by the sun had to be drawn into and
distributed to the energy centres (often referred to as
chakras), in the physical body. As the light enters the
body, it divides itself into the seven colors of the
spectrum and the proper color reaches and energizes the
corresponding centre. The health of the physical body
depends on this light (Hunt 1956a).
E. Brook Simpson of the nineteenth century, became
known for his discoveries of the healing power of light
by projecting it into the eyes of the patients. He
successfully treated cataracts by the application of
appropriate beams of light. He said that the eyes need
the energy of light to sustain their activity, just as
the body needs food to keep it alive. Simpson indicated
that colors have a therapeutic value which is
particularly potent when applied to the eyes, and the
visible rays of light are a natural medicine for the
organs of the physical body (Amber 1983).
Edwin D. Babbitt (1825-1905) was born in New York,
USA. He is known for his great work on light therapy:
The Principles of Light and Color, which was first
published in 1876. The book created a worldwide reaction
on color healing. In the book Babbitt created a series
of relations between light and elements of nature and
light and minerals. He classified colors as thermal
colors and electrical colors. He argued that all things
manifest their potencies and their qualities by means of
light. The power of light constructs materia. The seven
colors of the sunlight are composed of different
qualities and vibrations, and each color has its own
individual properties and chemical powers (Babbitt
1956). In his theory on color and color healing, Babbitt
describes a new philosophy of molecules and ethers, and
the inner nature of things. His philosophy includes his
interpretation of the structure of the universe, psychic
universal forces, magnetism, chromo-mentalism and
chromo-therapeutics (Birren 1978). Babbitt developed
special Chromo-lenses of different colors to solarize
water. In his book, Babbitt describes several successful
cases of healing with light therapy.
In the early days of the twentieth century Dinshah P.
Ghadiali, a hindu scientist, designed a theory which
explained why and how the different colors of the
spectrum have various therapeutic effects on organisms.
Ghadiali's theory taught that each organism and system
of the physical body have a particular color that
stimulates and another color that inhibits the working
of that organ or system. By knowing how different colors
work on different parts of the body, the application of
the correct color, could correct the imbalance caused by
afflicted organs. Disturbance caused by imbalances
therefore caused the occurrence of disease. The aim of
light healing is to restore the normal balance of the
color energies within the body. Ghandiali's greatest
work on light therapy is The Spectro Chromometry
Encyclopaedia from 1933. In this book he gives an
account of the theory and the practice of light therapy.
Ghadiali lived in the USA, and was known for the many
types of color lamps he developed for use in healing
(Anderson 1977).
S.G.J. Ouseley is one of the English light therapists
of the twentieth century. In his work The Powers of the
Rays from 1951 he describes his experience of working
with light in healing. In his theories on light, he
claims that the occultists of the past had broadly the
same basis of color science as we have today. The
science of color rests on the laws of light manifested
in the seven major rays. These rays are intrinsically
related to the seven planes of manifestation and also to
the seven major glandular centers in the human body.
Ouseley says that the basis of all treatment, whether
physical or super-physical, is restoring and recharging
the cells of the body with the correct color vibration
through the glandular centers. (Ouseley 1976).
Faber Birren is an educator and a color researcher
from the University of Chicago, USA. He has written many
articles and books about color healing and the
psychology of color. His work Color Psychology and Color
Therapy from 1950 gives us a view on his special
approach. He presents the most fundamental aspects of
color and the effect it has on man and nature. Most of
his life he has studied the influences of color on
people and their environment. Through his research he
has studied the duration of color effects on humans. He
says that a common and truly unforgivable error in most
color research is that many of the practitioners fail to
realize that color effects are always temporary.
Exposure to color does not cause reaction of any
substantial duration. In fact, it is not unlike the
reaction to alcohol, tobacco or coffee, where the energy
is first highly stimulated, only to decrease fast
(Birren 1959). Birren is a pioneer in using functional
color in various ways to promote human welfare
psychologically, visually and physiologically.
Theo Gimbel is a well known light therapist of our
time. He was brought up and educated in Switzerland, but
moved to England where in 1956, he founded the Hygeia
College of Color Therapy (Hygeia Studios) where training
in his complementary light therapy is available. He
became interested in the effects of light when working
with mentally disabled children. In his work Healing
Through Colour from 1980, he describes his methods in
light healing and diagnoses. His work in the Hygeia
Studios resulted in the development of The Color
Diagnostic Chart which he uses for diagnosing disease.
The technique of diagnosing is complicated and takes
time to learn, but is very accurate and also a useful
tool in counselling (Smyth 1988, Wills 1993). Gimbel has
also developed a therapy room which has stained glass
for filtering through the appropriate colors onto the
patient, one healing color and one complementary color.
Through his long experience of light healing, Gimble has
found that using a complementary color alongside the
healing color, prolongs the results of healing (Gimble
1987, 1991).
Karl Ryberg from Stockholm, Sweden, is a light
therapist that works both with counselling and light
healing. He uses a specially designed projector in which
the lamp has the same temperature as the surface of the
sun. He is a trained psychologist and he therefore
always initiates his first treatment with a new patient
by asking a series of personal questions. He inquires
about upbringing, work, marital status, traumas, etc.
Together with the patient Ryberg chooses the treatment
colors by picking out the "missing colors" of the
patient's environment. He then projects the missing
colors onto the patient and gives exact instruction on
how the missing colors can be added into his/her
environment (Olsson 1987, Brattberg 1990).
The Therapeutic Qualities of Light
Throughout the literature of light healing we find
that the therapists refer to the therapeutic qualities
of light. The majority of the therapists work with the
seven colors of light, and a few work with eight colors
(Gimbel, 1991, Wills 1993). We also have a another group
of therapists that refer to even more colors than eight
in their treatments (Clark 1978, Amber 1983). In this
section, I will present the therapeutic values of the
seven colors of the spectrum, referring to the
literature.
The color Red: Red is the symbol of life,
strength and vitality (Wills 1993). It has the slowest
wavelength, and has its spectrum which ranges from an
orange-red to deep red. It is a very powerful energizer
and stimulant, and through its effect on hemoglobin, it
increases energy, raises body temperature, and improves
the blood circulation (Hunt 1956b). Red stimulates the
sensory nerves and is therefore beneficial in
deficiencies of smell, sight, hearing, taste and touch
(Amber 1983). Red radiation is used to assist the
manufacture of new red blood cells (Clark 1978).
The color Orange: Orange is the symbol of
feminine energy, the energy of creation (Wills 1993). It
is a color halfway between red and yellow and its
healing power is greater than the two separate
individual colors (Amber 1983). It stimulates the milk
production of the breasts after childbirth. Orange
stimulates the thyroid gland and depresses the
parathyroid. It expands the lungs, has an anti-spasmodic
effect on muscle cramps and increases the pulse rate
(Walker 1991). Orange gives joy and happiness and is
good for creating a balance between our physical and
mental nature. It brings about changes in the
biochemical structure which results in the dispersing of
depression (Wills 1993).
The color Yellow: Yellow is the symbol of the
mind and intellect (Wills 1993). It activates the motor
nerves and generates energy for the muscles. Yellow is a
mixture of red and green, and therfore has both the
stimulating potency of red vibrations mixed with the
reparative potency of green vibrations (Walker 1991).
Yellow works with the skin, improving its texture,
healing and cleansing scars and other disorders such as
eczema. It carries positive magnetic currents which are
both inspiring and stimulating, strengthens the nerves
and stimulates mental activity (Wills 1993). Yellow
purifies the bloodstream and activates the lymphatic
system. It is excellent for the nerves and the brain,
both as a stimulator and as a nerve builder (Amber
1983).
The color Green: Green is the color of
balance, harmony and sympathy and has the power of
bringing the energies of a person into balance. It is
the middle color of the spectrum. Green has antiseptic
properties which are helpful in cases of infection. It
can also be used for detoxification and in cases of
heart disease (Wills 1993). Green is cooling, soothing,
and calming - both physically and mentally. It relieves
tension and acts as a hypnotic on the sympathetic
nervous system (Walker 1991). Green is a disinfectant,
germicide, antiseptic, bacteriocide and is thought to be
the color of Vitamin B1 (Amber 1983).
The color Blue: Blue is the color which
symbolizes inspiration, devotion, peace and tranquillity
(Wills 1993). It is the opposite of red and possesses
cooling qualities. It is used as a depressant for motor
nerves, fast pulse, pain, reducing temperatures, and as
an aid in combatting infection or inflammation (Clark
1978). The color blue increases the metabolism, builds
vitality, promotes growth, slows the action of the
heart, and acts as a tonic on the body in general. It
has antiseptic properities, contracting potencies for
muscles and blood vessels, and a soothing or cooling
effect on inflammations (Walker 1991). Blue act as a
balancing and harmonizing color which returns the
bloodstream to normal when the blood becomes overactive
and inflamed (Amber 1983).
The color Indigo: Indigo is useful in
purifying the body, including the blood. It is good for
eye inflammations and ear problems, and gives relief
from swellings and extreme pain (Clark 1978). Indigo
helps to broaden the mind and free it from fears and
inhibitions. Because the color relates to the mind, it
can affect us psychically and also have a powerful
effect on mental complaints. (Wills 1993). Indigo is
electric, cooling, and astringent in its effects. It is
a parathyroid stimulant, a thyroid depressant, a blood
purifier, a phagocyte builder, and effectively stops
excessive bleeding. It promotes muscle tone, respiratory
depression, and insensibility to pain (Walker 1991).
According to Amber (1983), and Anderson (1977) indigo is
a powerful anaesthetic and can induce total
insensibility without the loss of consciousness.
The color Violet: This color pertains to
spirituality, self-respect and dignity. It is an
inspirational color and is related to insight (Wills
1993). Violet stimulates the spleen and the building of
white blood cells, regulates tension of blood vessels
and lowers high blood pressure. It also helps to
maintain the potassium-sodium balance in the body (Clark
1978). Violet depresses the motor nerves and the
lymphatic and cardiac systems, it purifies the blood (a
leucocyte builder), and stops the growth of tumors
(Anderson 1977). Violet stimulates the spleen, upper
brain, bones, and is calming in cases of mental illness
(Walker 1991). Violet is good for bone-growth and is
excellent in calming or overcoming the excesses of
violent insanity (Amber 1983).
Cases of Light Treatment
In this section I will quote a few of the many cases
of light treatment which are presented in the
literature. Reading about the cases just as they are
described in the books by the authors themselves, will
perhaps satisfy the immediate questions the reader might
have.
Case 1: "Master F, aged 8 years had a tedious
convalescence from a severe attack of diphtheria, which
was suddenly interrupted by a very severe attack of
paraplegia; the paralysis was almost complete; he could
not walk and could stand only when supported by table or
chair. We had him arrayed entirely in white and placed
in strong red baths from one to two hours at a time;
soon after being placed in the red light he would fall
asleep, and a profuse perspiration would burst forth,
saturating his underclothing. Within three weeks he was
walking firmly, and in two months he was perfectly well.
More than two years have elapsed since and he has
continued in perfect health." (Babbitt 1967, p 20).
Case 2: "A woman of 59 afflicted with sciatica
for 11 years, with knee, ankle and feet swollen to twice
their normal size. Blue glass was inserted in a west
window and the light applied to a large purplish lump on
the ankle. In two or three hours the lump disappeared
together with the pain. But subsequently, swelling and
pain occured in the knee which was relieved by a blue
glass bath in less than an hour. Within a week she was
able to walk easily and the heretofore useless toes of
her foot became normal". (Babbitt 1956, p 5).
Case 3: "Master H, aged 18 months. This was a
severe case of cholera infantum and marasmus brought on
by teething in extremely warm weather. He had been under
treatment by an excellent physician for some time, but
was steadily declining. As the last faint hope we
determined to try the blue treatment. He had been
exceedingly irritable, but the blue light immediately
soothed him into a gentle sleep and he came out of the
bath calm and refreshed. Two months treatment resulted
in a fine, healthy-looking child, with full, rosy cheeks
and happy temper. We are confident that but for the blue
ray this child must have died - no ordinary treatment
could have saved him." (Babbitt 1967, p 45).
Case 4: "About twelve years ago a woman, in
her forties, was sent out here from New York for an
examination by means of the aura. She had "over a dozen
Wassermann tests", she told me, and part said she had
syphilis, while others of the big, professional
laboratories told her she did not have syphilis. The
latter said she "might have cancer". The woman was
despondent and going into a mental decline.
"Her auric emanations told me that she had tuberculosis
in the glands in the back of the lungs, and that her
resistance was rapidly being consumed in keeping the
tuberculosis toxemia down.
"She asked me to treat her here, as she was afraid to
go back to New York and be sent into the mountains to be
stuffed, and, maybe serumized. I told her to cut out
from her diet all eggs, milk, and other animal foods,
and to live on fruits, nuts, vegetables and whole wheat
or whole rye bread. Part of the meals were to be raw and
part cooked, as she was not strong enough to begin with
all raw foods.
"For the office treatments I used the powerful
incandescent lamps, used so as to go on and off in the
rhythm I wanted her to breath in. This made her elevate
her chest and do abdominal breathing.
"For home treatment I had her use my Rithmo-Duo-Color
system, inhaling while the ruby was on and exhaling
while the complementary blue was on.
"This woman made a wonderful recovery and was normal
according to her aura test within a year. As she has
remained well this proves that the diagnosis was correct
and that the system of treatment was natural and
rational and suited her condition.
"Had this woman been mistreated according to the
“regular“ methods, she would have gone from bad to worse
and probably would have died within a year or two."
(White 1969, pp 125-126).
Case 5: "A married woman, 33 years of age, was
sent to me for diagnosis by means of the aura
emanations. She had been "all over Europe, as well as in
America", she said, to get relief from coughing and
irritation through the chest. In every place she had
been for diagnosis, she was told that she had "chronic
tuberculosis".
"By means of auric emanations I was able to tell her
that she did NOT have tuberculosis, but rather a chronic
bronchial congestion that had evidently been years in
developing. Her chest was contracted and she was
beginning to stoop, owing to the constant coughing and
difficulty in breathing.
"As this woman's intestines were congested and
prolapsed, I told her to eat no potatoes and nothing
made from grains of any kind. In other words, I told her
to cut all starches out of her diet, as the intestines
could not digest them.
"I taught her deep, abdominal breathing by means of the
Rithmo-Duo-Color system - having her inhale while the
Ruby light was on and exhale while the complementary
Blue light was on. I used the Ruby for her, because she
was so anaemic.
"Within a month her cough began to get less. Within
another month she did not cough any to speak of. Her
chest began to develop and she was able to stand erect
and breathe down deep in her abdomen.
"Within seven months I could pronounce her well and she
said she felt well and as she has remained well for over
eight years there can be no disputing the diagnosis or
arguing about the treatment." (White 1969, pp 132-133).
Case 6: "Mrs F attended with a broken wrist
which had happened through falling whilst shopping. She
had been taken to the hospital where her arm and hand
were X-rayed prior to being put into a plaster cast. Her
main complaint was that of pain. She had been prescribed
painkillers but found that they made her feel unwell. A
full color treatment was given, with emphasis on the arm
and broken wrist. After treatment, she said that she
felt the pain diminishing when color was being
channelled through her wrist. During the following week,
I gave her two further treatments, both of which greatly
reduced the pain. When she next attended hospital, they
were delighted with her progress and were able to remove
the plaster sooner than expected." (Wills 1993, pp
74-75).
Case 7: "Mrs. X came for advice after
discovering a lump in her right breast. She was asked if
she had consulted her own GP and she said that she had.
He had examined her and confirmed her findings. A
hospital appointment was arranged so that the lump could
be aspirated for the purpose of a biopsy. Mrs X stressed
that she did not want this done. She believed that if
the lump was malignant, any interference with it could
spread the malignant cells.
"After a lenghty discussion about her decision, color
treatment was started. After each treatment, she was
given color visualization and affirmation exercises to
carry out two to three times a day. She was also advised
on her diet and her level of stress.
"At the end of three months, she reported that the lump
appeared to be smaller. This gave her great hope and
determination to carry on with the treatment. This
continued for a further three months, during which time
the lump became smaller and smaller until it finally
disappeared." (Wills 1993, pp 7-8).
Case 8: "Janet Whittenberg, a homemaker from
Norfolk, Virginia, says she obtained good results for
her mentally-impaired three-year-old son, Shannon. "I
have gone to so many doctors and hospitals," says Mrs.
Whittenberg. "Shannon was a vegetable. He did not do
anything. They said his brain was deteriorating, and
there was nothing they could do. They considered him a
terminal case."
"On the advice of a neighbor, she took Shannon to
Doctor Whitehouse, who administered color therapy to
him. "I saw results within a month," Mrs. Whittenberg
says. "He had only two teeth in his mouth and in one
month every tooth came out. He had stopped growing, and
he started growing again. He was all yellow but that
faded away. Now he is very alert, knows everyone in the
family, and watches TV. I am very pleased." (Walker
1991, p 82).
Case 9: "Betty Drury, of Newport News
Virginia, says she has seen "tremendous improvement" in
her fifteen-year-old mongoloid son, James, since she
began taking him to Doctor Whitehouse for color therapy.
"He remembers better, keeps up school work better,
writes better, recognizes more words, and his features
are changing," Mrs. Drury says. "Before we took him to
Doctor Whitehouse, he was very hyperactive, he tore up
everything and he couldn't even tie his shoes. After a
month of treatment, he suddenly sat down and tied his
shoes. And he hasn't torn up anything since. Everyone in
the family noticed the difference."
"Mrs. Drury says doctors told her that James was
uneducable and untrainable. But, she says, he is
learning more now after having been exposed to the
vibrations of the colored lights. "His speech therapist
at school is amazed at the difference," she said. "James
has started making 100s on every one of his tests."."
(Walker 1991, p 82).
Case 10: "The treatment of carbuncles with
color is easy compared to the classical methods. One
woman with a carbuncle involving the back of the neck
from mastoid to mastoid, and from occipital ridge to the
first dorsal vertebra, came under color therapy after
ten days of the very best of attention. From the first
day of color application, no opiates, not even
sedatives, were required. This patient was saved much
suffering, and she has little scaring." (Baldwin
1956, p 157).
Case 11: "In a case of very extensive burns in
a child of eight years of age, there was almost complete
suppression of urine for more than 48 hours with a
temperature of 105 to 106 degrees (F). Fluids were
forced to no effect, and a more hopeless case is seldom
seen. Scarlet was applied just over the kidneys at a
distance of eighteen inches for twenty minutes, all
other areas being covered. Two hours later, the child
voided eight ounces of urine.
"In some unusual and extreme cases that had no response
to other treatment, normal functioning has been restored
by color therapy. At present, therefore, I do not feel
justified in refusing any case without a trial. Even in
cases where death is inevitable, much comfort may be
secured." (Baldwin 1956, p 157).
The Relationship between Sound and
Light
In the literature of light healing, the combined
effects of light and sound are often mentioned.
Walker (1991) gives Roland Hunt, from the early part
of the twentieth century, the credit of being pioneer in
using combined music and light for healing people
suffering from neurotic and mental diseases.
Helen Baker, a light therapist, works with people in
grief, as a death-related counselor in Florida, USA. She
integrates music and light into the counseling of
bereaved persons. She says that light waves in the form
of colors correspond to the tonal frequencies of sound.
The use of light and sound as pure vibrations has
enormous potential in psychotherapy, physical healing
and in effecting changes in personal and cultural
consciousness. Baker says that the use of music and
light helps the troubled person work through a process
of grief or a recovery resulting from a difficult
diagnosis. However, this is an area that has not yet
been explored to its full potential. Baker relates the
seven colors of the spectrum to the seven tones on the
diatonic scale and then to the seven large glands in the
physical body. She explains that the body is functioning
as a receiving station for energy. When incoming
vibrations are similar to the related vibration of a
body part, they resonate. When this is not the case,
disharmony is the result. When powerful non-productive
thoughts or emotions are experienced, such as in the
case of a bereaved person, the vibrations are not able
to flow freely throughout the body, which results in
blockages. Disease is the result when the vibrational
activity of a certain organ departs from its normal
condition, either by being blocked or overstimulated
(Baker 1991).
Halpen & Savary (1985) present a system of
correlation of the spectral colors and tones of the
major musical scale. They say that the effects of
combined colors and tones are remarkable. If you show
overly stimulated people colors while playing music
based on the corresponding key notes, the listeners will
come down from their excitements. They experience
substituted states of relaxation and physiological
balance, their breathing becomes deeper and more
regular. Their pulse slows down, and the hemispheres of
their brain becomes synchronized.
Table 1: Correlation of Sound and Colors
According to Baker (1991) and Halpern & Savary (1985).
|
Tone
|
Color
|
| |
|
|
C
|
Red
|
|
D
|
Orange
|
|
E
|
Yellow
|
|
F
|
Green
|
|
G
|
Blue
|
|
A
|
Indigo
|
|
H
|
Violet
|
Isaac Newton (1952) made several observations on
light in the early eighteen century. In one of his
observations he mentions that the seven colors; red,
orange, yellow, green, blue, indigo and violet are
proportional to the seven musical tones or intervals of
the eight sounds; sol, la, fa, sol, la mi, fa and sol.
Anderson (1990) means that there are seven colors
which correspond with the seven chakras and the musical
scale. Her correlation of tones and colors are as
follows: D flat = red, D = blue, E flat = green, E =
deep red, F sharp = yellow, F = purple, G sharp =
silver, G = black, A sharp = gold, A = blue, C = brown,
B = violet.
Retallack (1973) presents yet another combination of
tones and colors. In her system, she refers to A as
red-orange, B to yellow, C to yellow-green, D to
green-blue, E to blue-violet, F to violet and G to
deep-red.
Healing with Sound
Fabian Maman, musician, acupuncturist and
bio-energetician introduced together with the biologist,
Helene Grimal, a sound therapy at the Cancer Help Centre
in Bristol, England. The therapy has its origin in
ancient Japan, and has been practiced there for
centuries. At the Center, Maman and Grimal worked with
cancer patients observing the effects of the therapy.
Maman began to experiment with imparting precise
sound frequencies, instead of needles, when he treated
his patients with acupuncture. He found that the results
were just as effective. This gave him the reason to
start experimenting in a scientific way. Together with
Grimal he examined microscopically the effects of sound
on the blood cells in the body. They photographed the
cells with the Kirlian photography, while they struck
the notes from the chromatic scale. To their surprise
the photographs showed that when a musical note was
struck, color suffused into the blood cells they were
examining, and the shape of the cells changed according
to the note which was struck.
Maman and Grimal deduced that what they were
observing was a direct affinity between the shape and
the color of the cell, the power of its biofield and the
frequency of the note struck. They also noticed that the
effects could be reproduced, though never exactly, so
that each living cell had its own individual quality.
The effects of the reproduction depended on a number of
factors, such as the vitality and the state of the human
being whose blood cells they were examining. When they
experimented with blood cells from cancer patients, they
had a different result from those without cancer. In
these patients they noticed a systematic disorganization
of cellular material as they progressed up the scale
until they reached between a' (440Hz) and b' (494Hz),
when the cells normally exploded (Collings 1988).
Theory and Method of the Therapy
Man is Vibrating Energy
All manifestations in the universe vibrate in their
own frequency. This is also the case with man. Likewise
each atom, cell and organ in the human body vibrates to
a set frequency (Sanders 1926). Man's vibrating energy
generates energy in the form of an electromagnetic field
which surrounds the physical body, often referred to as
the aura (White 1969). Man has the frequency of the
visible part of the electromagnetic field (between 380mn
and 720mn; 1mn = 0,0000001cm) or the same frequency as
the seven colors of the spectrum (Wills 1993). If
man's frequency changes, it results in disharmony or
imbalance, in man called disease (Amber 1983). Disease
is the result when the vibrational activity of a certain
organ departs from its normal condition (Baker 1991).
The aim of The Therapy of Sound and Light is to
rebalance the frequencies of the individual, thus
creating a state of well-being.
The Frequencies of Sound and Light
To find the exact wavelengths of the seven colors of
the spectrum, I compared the seven tones (c'', b', a',
g', f', e' and d') in the two- and the one-line octaves
of the equal tempered chromatic scale (twelve tones to
the octave, normal in Western music, a' = 440Hz) with
the seven colors in the octave of light (Newton 1952).
My choice in working with the one-line octave is because
of the effects the sound vibrations of this particular
octave have on the blood cells of the physical body
(Collings 1988). The question was how to create a
graphic form that correlates color and sound showing
both the proportion and size between the sound
frequencies and the light waves, as well as their
relationship to each other. I optained a graphic form of
the colors from the Encyclopedia Britannica, ranging
from violet to red, from 380nm to 720nm. To create a
graphic form of sound, I calculated the wavelength
relationship between the seven tones of the two octaves.
This I show step by step in table 2. With this, I was
not only able to find the frequencies of the seven
tones, but I was also able to create a graphic form of
the tones (table 3). Table 2 not only indicates how the
calculation in finding the wavelength relationship is
being done, it also shows the already established
frequencies of the seven tones of the two octaves.
Table 2: The Frequencies and the
Wavelength Relationship Between the Seven Tones of the
Two- and the One-Line Octaves (from c" to d') of the
Equal Tempered Chromatic Scale.
With the information of the wavelength relationship
between the tones, I now created the graphic form
measuring out the seven tones in a linear form. I then
compared it with the set graphic form of the seven
colors, finding which color corresponded to what tone
(table 3).
Table 3: The Correspondence of Light and
Sound.
Using the standard coordinate system of colorimetry -
the CIE (The International Commission on Illumination,
Standard Observer) - I learned that the wavelength of
pure indigo is 436nm (Encyclopedia Britannica). Knowing
the color indigo as 436nm and the corresponding tone b'
as 494Hz, I ranked the frequencies of sound in the two-
and the one-line octaves from 523Hz to 263Hz and the
wavelength of colors in the octave of visible light from
407nm to 667nm moving one Hz and one nm upwards and
downwards on the scale (table 4).
Table 4: The Ranking of the Frequencies
of Sound from 523Hz to 263Hz and the Wavelengths of
Light from 407nm to 667nm.
Hz nm /
Hz nm /
Hz nm /
Hz nm /
Hz nm
___________________________________________________
523 407
469 461
415 515
361 569
307 623
522 408
468 462
414 516
360 570
306 624
521 409
467 463
413 517
359 571
305 625
520 410
466 464
412 518
358 572
304 626
519 411
465 465
411 519
357 573
303 627
518 412
464 466
410 520
356 574
302 628
517 413
463 467
409 521
355 575
301 629
516 414
462 468
408 522
354 576
300 630
515 415
461 469
407 523
353 577
299 631
514 416
460 470
406 524
352 578
298 632
513 417
459 471
405 525
351 579
297 633
512 418
458 472
404 526
350 580
296 634
511 419
457 473
403 527
349 581
295 635
510 420
456 474
402 528
348 582
294 636
509 421
455 475
401 529
347 583
293 637
508 422
454 476
400 530
346 584
292 638
507 423
453 477
399 531
345 585
291 639
506 424
452 478
398 532
344 586
290 640
505 425
451 479
397 533
343 587
289 641
504 426
450 480
396 534
342 588
288 642
503 427
449 481
395 535
341 589
287 643
502 428
448 482
394 536
340 590
286 644
501 429
447 483
393 537
339 591
285 645
500 430
446 484
392 538
338 592
284 646
499 431
445 485
391 539
337 593
283 647
498 432
444 486
390 540
336 594
282 648
497 433
443 487
389 541
335 595
281 649
496 434
442 488
388 542
334 596
280 650
495 435
441 489
387 543
333 597
279 651
494 436
440 490
386 544
332 598
278 652
493 437
439 491
385 545
331 599
277 653
492 438
438 492
384 546
330 600
276 654
491 439
437 493
383 547
329 601
275 655
490 440
436 494
382 548
328 602
274 656
489 441
435 495
381 549
327 603
273 657
488 442
434 496
380 550
326 604
272 658
487 443
433 497
379 551
325 605
271 659
486 444
432 498
378 552
324 606
270 660
485 445
431 499
377 553
323 607
269 661
484 446
430 500
376 554
322 608
268 662
483 447
429 501
375 555
321 609
267 663
482 448
428 502
374 556
320 610
266 664
481 449
427 503
373 557
319 611
265 665
480 450
426 504
372 558
318 612
264 666
479 451
425 505
371 559
317 613
263 667
478 452
424 506
370 560
316 614
477 453
423 507
369 561
315 615
476 454
422 508
368 562
314 616
475 455
421 509
367 563
313 617
474 456
420 510
366 564
312 618
473 457
419 511
365 565
311 619
472 458
418 512
364 566
310 620
471 459
417 513
363 567
309 621
470 460
416 514
362 568
308 622
Having found which wavelength of color corresponds to
what frequency of sound, I now have the combination of
the seven tones of the two octaves and the seven colors
of light. Table 5 demonstrates this.
Table 5: The Combinations of the
Frequencies of the Seven Tones of the Two- and the
One-Line Octaves and the Wavelengths of the Seven Colors
of Light.
|
Tone
|
Sound
(in Hz)
|
Color
|
Light
(in nm)
|
|
|
|
|
|
|
c"
|
523
|
Violet
|
407
|
|
b'
|
494
|
Indigo
|
436
|
|
a'
|
440
|
Blue
|
490
|
|
g'
|
392
|
Green
|
538
|
|
f'
|
349
|
Yellow
|
581
|
|
e'
|
330
|
Orange
|
600
|
|
d'
|
294
|
Red
|
636
|
Using Sound and Light in Healing
Sound frequencies can be used with the same results
as light in restoring the individual's health (Halpen &
Savary 1985, Baker 1991). This is because these low beat
frequencies have the same therapeutic effects as light
itself (Ludwig 1986). When one or more chosen sound
vibrations of the two octaves from 523Hz to 263Hz are
projected onto the physical body of an individual, it
creates reactions inside the cells of the physical body
thus destroying the diseased blood cells (Collings
1988). Light vibrations can even be used to stimulate
the individual's ability to learn (Walker 1991).
Healing with sound and light can therefore be
performed in three ways. Firstly, by using the
combination of sound and light. Secondly, by using light
separately, and thirdly, by using only sound. It does
not matter which method is used, all are equally
effective.
The Light and Sound Vibrations Used
in the Therapy
In the therapy I use seven light-vibrations
ranging from 407nm to 636nm, which include all seven the
colors and
seven
sound-vibrations ranging from
294Hz to 523Hz. Table 6 shows the wavelengths of the
seven light-vibrations and the corresponding
frequencies of sound. It also shows the trichromatic
coefficients of the colors. The trichromatic
coefficients are the coordinates of the spectrum. The
tristimulus system of color specification (Standard
Coordinate System) is based on the three primary colors
of the spectrum; red (x) 700nm, green (y) 546nm, indigo
(z) 436nm and the brightness of noon sunlight. The sum
of the trichromatic coefficients is unity; x + y + z =
1.
Table 6: The Frequencies of Sound Used
in the Therapy, the Corresponding Wavelength of Light,
and the Trichromatic Coefficients of the Colors.
|
Sound |
Light.
|
Trichromatic Coefficients
|
|
|
Color |
|
(in Hz) |
(in nm) |
x.....................y.....................z
|
|
|
|
________________________________________________________
|
523
|
407
|
0,1723
|
0,0048
|
0,8229
|
Violet
|
|
494
|
436
|
0,1638
|
0,0114
|
0,8248
|
Indigo
|
|
440
|
490
|
0,0868
|
0,1463
|
0,7669
|
Blue
|
|
392
|
538
|
0,4015
|
0,5966
|
0,0019
|
Green
|
|
349
|
581
|
0,5448
|
0,4544
|
0,0008
|
Yellow
|
|
330
|
600
|
0,6127
|
0,3868
|
0,0005
|
Orange
|
|
294
|
636
|
0,7091
|
0,2908
|
0,0001
|
Red
|
How to Use the Therapy
Choose a sound vibration that corresponds with your
illness. Trust your choice whether you have a diagnosis
or not. As you play your sound, sit comfortably and
relaxed in front of the loudspeakers you are using. The
whole body should receive the sound vibrations. Feel free to use
your sound as often as you find necessary.
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Copyright 1995-2008: EP Hafstein
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